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— Lars & Gus, Lars and the Real Girl (2007)Lars: Well, Bianca can help you. She's got nurse's training. Gus: No she doesn't. That's because she's a plastic...thing. Lars: That's amazing. Did you hear that? Bianca said God made her to help people.
— Patton, Patton (1970)(looking at remains of a battle) I love it! God help me, I love it so. I love it more than my life.
— Yuri Orlov, Lord of War (2005)Often the most barbaric atrocities occur when both sides proclaim themselves freedom fighters.
— Gen. Omar Bradley, Patton (1970)Give George a headline, and he's good for another 30 miles.
— Parry, The Fisher King (1991)I have a hard-on for you the size of Florida!
— John Keating, Dead Poets Society (1989)The powerful play goes on and you may contribute a verse. What will your verse be?
— Jake Sully, Avatar (2009)All I ever wanted was a single thing worth fighting for.
— Lester Burnham, American Beauty (1999)Look at me, jerking off in the shower... This will be the high point of my day; it's all downhill from here.
— Miles, Sideways (2004)Half my life is over, and I have nothing to show for it...I’m a smudge of excrement on a tissue, surging out to sea with a ton of raw sewage.
— John Keating, Dead Poets Society (1989)Gather ye rosebuds while ye may, Old Time is still a-flying: And this same flower that smiles to-day To-morrow will be dying.
— Quintus & Maximus, Gladiator (2000)Quintus: "People should know when they're beaten!" Maximus: "Would you, Quintus? Would I?"
— Ron Franz, Into the Wild (2007)When you forgive, you love. And when you love, God's light shines on you.
— Maximus, Gladiator (2000)I've seen much of the rest of the world. It is brutal and cruel and dark, Rome is the light.
— Miles, Sideways (2004)If you don't have money at my age, you're not even in the game anymore. You're just a pasture animal waiting for the abattoir.
— Christopher McCandless, Into the Wild (2007)The core of man's spirit comes from new experiences.
— Miranda, Mrs. Doubtfire (1993)Miranda (to Daniel): I bring home a birthday cake and a few gifts; you bring home the Goddamn San Diego Zoo. And I have to clean up after it!
— Patton, Patton (1970)No bastard ever won a war by dying for his country. You win a war by making the other poor bastard die for his country!
— William & Malcolm Wallace, Braveheart (1995)Young William: I can fight. Malcolm Wallace: I know. I know you can fight. But it's our wits that make us men.
— Christopher McCandless, Into the Wild (2007)I read somewhere... how important it is in life not necessarily to be strong... but to feel strong.
— King Longshank, Braveheart (1995)Not the archers. My scouts tell me their archers are miles away and no threat to us. Arrows cost money. Use up the Irish. The dead cost nothing.
— Jack Lucas, The Fisher King (1991)I'm hearing horses! Parry will be so pleased!
— Katsumoto & Nathan Algren, The Last Samurai (2003)Katsumoto: Do you believe a man can change his destiny? Algren: I think a man does what he can, until his destiny is revealed to him.
— Lars & Gus, Lars and the Real Girl (2007)Lars: Well, Bianca can help you. She's got nurse's training. Gus: No she doesn't. That's because she's a plastic...thing. Lars: That's amazing. Did you hear that? Bianca said God made her to help people.
— Patton, Patton (1970)(looking at remains of a battle) I love it! God help me, I love it so. I love it more than my life.
— Yuri Orlov, Lord of War (2005)Often the most barbaric atrocities occur when both sides proclaim themselves freedom fighters.
— Gen. Omar Bradley, Patton (1970)Give George a headline, and he's good for another 30 miles.
— Parry, The Fisher King (1991)I have a hard-on for you the size of Florida!
— John Keating, Dead Poets Society (1989)The powerful play goes on and you may contribute a verse. What will your verse be?
— Jake Sully, Avatar (2009)All I ever wanted was a single thing worth fighting for.
— Lester Burnham, American Beauty (1999)Look at me, jerking off in the shower... This will be the high point of my day; it's all downhill from here.
— Miles, Sideways (2004)Half my life is over, and I have nothing to show for it...I’m a smudge of excrement on a tissue, surging out to sea with a ton of raw sewage.
— John Keating, Dead Poets Society (1989)Gather ye rosebuds while ye may, Old Time is still a-flying: And this same flower that smiles to-day To-morrow will be dying.
— Quintus & Maximus, Gladiator (2000)Quintus: "People should know when they're beaten!" Maximus: "Would you, Quintus? Would I?"
— Ron Franz, Into the Wild (2007)When you forgive, you love. And when you love, God's light shines on you.
— Maximus, Gladiator (2000)I've seen much of the rest of the world. It is brutal and cruel and dark, Rome is the light.
— Miles, Sideways (2004)If you don't have money at my age, you're not even in the game anymore. You're just a pasture animal waiting for the abattoir.
— Christopher McCandless, Into the Wild (2007)The core of man's spirit comes from new experiences.
— Miranda, Mrs. Doubtfire (1993)Miranda (to Daniel): I bring home a birthday cake and a few gifts; you bring home the Goddamn San Diego Zoo. And I have to clean up after it!
— Patton, Patton (1970)No bastard ever won a war by dying for his country. You win a war by making the other poor bastard die for his country!
— William & Malcolm Wallace, Braveheart (1995)Young William: I can fight. Malcolm Wallace: I know. I know you can fight. But it's our wits that make us men.
— Christopher McCandless, Into the Wild (2007)I read somewhere... how important it is in life not necessarily to be strong... but to feel strong.
— King Longshank, Braveheart (1995)Not the archers. My scouts tell me their archers are miles away and no threat to us. Arrows cost money. Use up the Irish. The dead cost nothing.
— Jack Lucas, The Fisher King (1991)I'm hearing horses! Parry will be so pleased!
— Katsumoto & Nathan Algren, The Last Samurai (2003)Katsumoto: Do you believe a man can change his destiny? Algren: I think a man does what he can, until his destiny is revealed to him.
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Finally, the Lover has arrived. He took his time. The Lover's journey through life prioritizes flow over structure, sensual delight over getting shit done. This talk is the last in the series on the KWML archetypes and will take you into realms of addiction, sexuality and the yearning to be One with God.
The other archetypes

Now updated with practices at the end. One of the most popular articles on Masculinity-Movies.com is about the KWML archetypes outlined in Robert Moore and Douglas Gillette's book. Dive into the murky waters of your subconscious and discover that there are men who sleep inside you who are the stuff of legends. Now, your work is to wake them up. This article is a good starting place for that long road towards maturity.
Reassigned to a mental institution after the prison system tires of his disobedience, McMurphy hopes to while away his sentence in a less taxing environment. Instead, he finds himself engaged in a battle of wits with the pitiless Nurse Ratched – who rules her patients with a cold-blooded zeal. Earning the respect and admiration of his downtrodden counterparts, McMurphy lights a fire in their hearts and stirs them to action– ensuring that none of their lives will ever be the same again.
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Saving private Ryan is a movie about II World War where an american group is ordered to find and get one soldier back home from the terrain of France, since this one soldier's all four brothers had been killed in combat. It is a interesting journey to look on the relationships between the men, and how the archetypal energies show up in this movie, switching side by side. Ultimately this movie is about courage. It is about making your dreams real.
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“Our Idiot Brother” is a simple, light story that follows the life of the main character Ned as he enters back into the lives of his three sisters, shakes them up completely, and strolls back out grinning almost all the while. It is a feel good story with a lovely ending and a pretty straight forward set of lessons. For me there it is also a great and deep example of one of the stages of the Authentic Man Program (AMP) holarchy – appreciation.
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Fight Club is a portrait of one man's journey to reclaim the primal power of his inner masculine. The unnamed protagonist is an empty shell, a nobody going nowhere. He has a mind-numbing job and meaning in life boils down to redecorating his flat with new trinkets from the IKEA catalogue. When the wild and rebellious Tyler Durden shows up in his life, the stage is set for an enlightening tumble down the rabbit hole of his unconscious primal impulses. Fight Club is a brilliant exposition of the scars that form in a man's psyche when his seat of masculinity is repressed by a society that looks for compliance rather than powerful individuation and an invitation to look closer at the wild man that lives within us all.
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