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— King Longshank (tyrant), Braveheart (1995)Not the archers. My scouts tell me their archers are miles away and no threat to us. Arrows cost money. Use up the Irish. The dead cost nothing.
— Yuri Orlov, Lord of War (2005)Often the most barbaric atrocities occur when both sides proclaim themselves freedom fighters.
— Miles, Sideways (2004)If you don't have money at my age, you're not even in the game anymore. You're just a pasture animal waiting for the abattoir.
— John Keating, Dead Poets Society (1989)The powerful play goes on and you may contribute a verse. What will your verse be?
— Miranda, Mrs. Doubtfire (1993)Miranda (to Daniel): I bring home a birthday cake and a few gifts; you bring home the Goddamn San Diego Zoo. And I have to clean up after it!
— John Keating, Dead Poets Society (1989)Gather ye rosebuds while ye may, Old Time is still a-flying: And this same flower that smiles to-day To-morrow will be dying.
— Gen. Omar Bradley, Patton (1970)Give George a headline, and he's good for another 30 miles.
— Jack Lucas (entering crazy time), The Fisher King (1991)I'm hearing horses! Parry will be so pleased!
— Patton, Patton (1970)No bastard ever won a war by dying for his country. You win a war by making the other poor bastard die for his country!
— Ron Franz, Into the Wild (2007)When you forgive, you love. And when you love, God's light shines on you.
— Parry (Henry Sagan), The Fisher King (1991)I have a hard-on for you the size of Florida!
— Jake Sully, Avatar (2009)All I ever wanted was a single thing worth fighting for.
— Lars and the Real Girl (2007)Lars: Well, Bianca can help you. She's got nurse's training. Gus: No she doesn't. That's because she's a plastic...thing. Lars: That's amazing. Did you hear that? Bianca said God made her to help people.
— The Last Samurai (2003)Katsumoto: Do you believe a man can change his destiny? Algren: I think a man does what he can, until his destiny is revealed to him.
— Gladiator (2000)Quintus: "People should know when they're beaten!" Maximus: "Would you, Quintus? Would I?"
— Braveheart (1995)Young William: I can fight. Malcolm Wallace: I know. I know you can fight. But it's our wits that make us men.
— Miles, Sideways (2004)Half my life is over, and I have nothing to show for it...I’m a smudge of excrement on a tissue, surging out to sea with a ton of raw sewage.
— Christopher McCandless, Into the Wild (2007)I read somewhere... how important it is in life not necessarily to be strong... but to feel strong.
— Maximus, Gladiator (2000)I've seen much of the rest of the world. It is brutal and cruel and dark, Rome is the light.
— Christopher McCanless, Into the Wild (2007)The core of man's spirit comes from new experiences.
— Patton, Patton (1970)(looking at remains of a battle) I love it! God help me, I love it so. I love it more than my life.
— Lester Burnham, American Beauty (1999)Look at me, jerking off in the shower... This will be the high point of my day; it's all downhill from here.
You're a man. You watch movies. Yet, you may be missing out on the full experience of the movies you watch. Do you want to leave the cinema inspired, wanting to make the most of your life? Do you want to stay inspired? Then you've come to the right place.
Join me in uncovering the archetypal path of growth that awaits in the world of movies. Watching movies will never be the same again. It's a promise.
Finally, the Lover has arrived. He took his time. The Lover's journey through life prioritizes flow over structure, sensual delight over getting shit done. This talk is the last in the series on the KWML archetypes and will take you into realms of addiction, sexuality and the yearning to be One with God.
Now updated with practices at the end. One of the most popular articles on Masculinity-Movies.com is about the KWML archetypes outlined in Robert Moore and Douglas Gillette's book. Dive into the murky waters of your subconscious and discover that there are men who sleep inside you who are the stuff of legends. Now, your work is to wake them up. This article is a good starting place for that long road towards maturity.
Reassigned to a mental institution after the prison system tires of his disobedience, McMurphy hopes to while away his sentence in a less taxing environment. Instead, he finds himself engaged in a battle of wits with the pitiless Nurse Ratched – who rules her patients with a cold-blooded zeal. Earning the respect and admiration of his downtrodden counterparts, McMurphy lights a fire in their hearts and stirs them to action– ensuring that none of their lives will ever be the same again.
Saving private Ryan is a movie about II World War where an american group is ordered to find and get one soldier back home from the terrain of France, since this one soldier's all four brothers had been killed in combat. It is a interesting journey to look on the relationships between the men, and how the archetypal energies show up in this movie, switching side by side. Ultimately this movie is about courage. It is about making your dreams real.
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"Umizaru" - (Japanese for Sea Monkeys the slang for the Japanese Coast Guard) is the story of 14 young Japan Coast Guard officers who take part in a tough training to become rescue divers. The film takes us through their 50-day training. Senzaki is one of the top recruits and he is paired with the most unlikely candidate of the 13 other recruits; Kudo. With his love for the ocean and diving, work as a rescue diver at sea seemed like the perfect occupation for Senzaki. His journey from cynicism to become a better man takes us through finding and loosing a buddy - to finding a community to belong in. It is an amazing and emotional journey for us all.
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I'm guessing you're tired of bullshit and superficial conversation. I am too. So I created the Tribe for you.
Why would you want to join The Tribe? I don't know what is true for you, but what is true for me is that my life has seen dramatic improvements as the depth and intensity in my relating with close male friends (Brothers) has increased.
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Fight Club is a portrait of one man's journey to reclaim the primal power of his inner masculine. The unnamed protagonist is an empty shell, a nobody going nowhere. He has a mind-numbing job and meaning in life boils down to redecorating his flat with new trinkets from the IKEA catalogue. When the wild and rebellious Tyler Durden shows up in his life, the stage is set for an enlightening tumble down the rabbit hole of his unconscious primal impulses. Fight Club is a brilliant exposition of the scars that form in a man's psyche when his seat of masculinity is repressed by a society that looks for compliance rather than powerful individuation and an invitation to look closer at the wild man that lives within us all.
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